Wednesday, August 11, 2010
photocroaker.com
I haven't been able to post much on here, but I have learned a lot in the past few months of working professionally that I'm willing to share.
If you have a question, please shoot me an email and I will respond asap.
Tuesday, June 15, 2010
My Review of EF 24-70mm f2.8L USM Zoom Lens
Originally submitted at OneCall

This new lens does what many pros thought couldn't be done - replace the previous L-series 28-70 f/2.8 lens with something even better. Extended coverage to an ultra-wide angle 24mm makes it ideal for digital as well as film shooters, and the optics are even better than before with two Aspheric...
Great Everyday Lens!!!
Pros: Fast / accurate auto-focus, Easily Interchangeable, Consistent Output, Nice Bokeh, Strong Construction, Durable
Cons: Heavy
Best Uses: Weddings/Events, Indoors/Low Light, Landscape/Scenery
Describe Yourself: Semi-pro Photographer
I had to send back the first copy I received due to massive focusing and color defects, but the second copy made me believe in this lens.
The bokeh is butter-smooth and the colors (especially greens and blues) are as vivid as they can be. I used to shoot RAW all the time so that I could touch up the photographs in post-editing, but I don't need to do it anymore with this lens. Now I shoot JPEG 99% of the time.
Be aware that this is a tank...heavy as they can make them. But you can get used to it with time. The 2.8 is worth it in lowlight indoor situations.
(legalese)
Monday, May 31, 2010
Fort Ontario, New York, Pics
Saturday, April 10, 2010
Trying new lens
Thursday, April 1, 2010
Sunset
Being without a filter, wider aperture lens, a tripod, and a camera without low-noise, high ISO performance, I still couldn't let this sunset go without attempting to capture it.
For this type of shot, you really need to do two things; use a tripod and use the Manual setting where you set your own shutter speed and aperture. Using just shutter priority or aperture priority will make your shot either underexposed or overexposed, and a tripod eliminates camera shake.
I didn't have a tripod, so I did the best I could in the situation. However, I knew I played it safe, shot RAW and simulated the Polarizer filter in Photoshop using Channels.
Here's what the original image looked like: