Showing posts with label Maryland zoo in Baltimore. Show all posts
Showing posts with label Maryland zoo in Baltimore. Show all posts

Tuesday, November 6, 2012

Zoo Photography: Thunder on the Prairie

Sometimes being at the right place at the right times can yield a fruitful result. Hope you enjoy this little tale of tails.

Black-Tailed Prairie Dog (Cynomys ludovicianus)
This is what normally happens in prairie dog colonies. Love, kisses, and unity usually are the order of the day.

But then, one day, along came Sally- for that is what we shall call her-to the burrow of one Polly.  "Hey, the whole prairie knows all your dirty little secrets," said Sally.



"Stop spreading lies about me or I'll slap you," retorted Polly.

Thinking she had the advantage of surprise and first strike, Sally locked her jaws on Polly's hand. "Oh, yeah, you and what hand?" 

Somehow Polly freed her hand and unleashed a slap that was to become stuff of legends on the prairie. "Take that you spiteful, lying prairie dog b@#&*" 

Fearful of Polly and unwilling to partake of the slap sandwich Sally had just been handed, other prairie dogs could only comment about it in hushed whispers. "Hey, did I just really just see that?"

Meanwhile not too far away. "Mom, you are the best mom ever...I love you, I love you, I love you."

They hear a slap. "WOW!"

A few feet away, unhindered by the transpired events, some prairie dogs  continue to indulge in the peace, love, and unity that is normally the order of the day on the prairie. 
THE END

Hey, they do have tails and it was a tale, so lighten up. 

Tuesday, September 11, 2012

Zoo Photography: Patience

It's been wisely said for ages that patience is a virtue, and there is perhaps no profession in which this is most evident than photography. Photographers know that you have to anticipate and wait. wait. wait. and more wait. Zoo photography requires the same thing. You have to know your subject, anticipate what they will do, and put yourself in the best position to get the shot you want.

Yesterday I visited the zoo for the first time in a few weeks and I only had about 90 minutes before closing time. I couldn't afford to see the whole zoo so I made a beeline for the animals I like to shoot the most around this time of the year.

The prairie dogs were my first stop. Prairie dogs, around this time, have shiny brown coats that look best under a cloudless sun. When I reached them, the sun was bobbing back and forth behind some patchy clouds. I waited until I got the light I wanted, took a few shots, and was fairly happy with the few shots I got. These guys are hands-down my favorite subjects year-round at the Maryland Zoo in Baltimore.


Next, I visited the African Aviary where I was rewarded with one of the subjects that have not given me many good shot opportunities: The Little Blue Heron. This little beautiful bird tends to stay near the fence where it's impossible to get a good shot that doesn't look like it was taken at the zoo. This time, however, it was in the middle of the exhibit and allowed me to get pretty good shots.


I was also lucky that it was a relatively quiet day at the zoo and the animals seemed more relaxed.

After that I hung around the gazelles before heading to the lions. I hung around hoping for a good shot, knowing that on cool days, they are more likely to move around in a particular location. I hunkered down and waited for my shot. I wasn't disappointed.


Patience doesn't mean you will get the shot that day, it just means that you might get your shot a few months down the road. Be patient, anticipate, and always keep hope that the animals will be kind enough to give you a good shot.

***Please note that I don't agitate animals. Hassan, the lion, wasn't snarling at me. This is the back end of a yawn.

Thursday, March 22, 2012

Zoo Photography: Bird Portraits

Since the Maryland Zoo in Baltimore let out its warm-climate birds, it's been even better shooting at the zoo. There's a reason why bird photography is one of the most beloved form of photography, and it's easy to see when you observe the zoo's collection. Unfortunately while shooting at the zoo you're unlikely to get a shot that looks like it was taken in the bird's natural environment. Many zoos have done a great job creating aviaries that replicate natural habitats and allow the birds to fly, something many birds in exhibits can't do.
The Maryland Zoo in Baltimore has two aviaries which give photographers a chance to get shots that look like they might have been taken in the wild. These environments, however, aren't always enough to get the shot since you still have man-made objects and people around.
The best solution, I've come to find out, is to isolate the animal as much as possible, sometimes even shooting portrait.

1. This lappet-faced vulture (Torgos tracheliotos) is a beautiful sight to behold. It's a shame to shoot it on land while it's not tearing through some carcass, flying through the air, or perched on some long-gnarled branch under the African sun. When shooting it, I made sure to avoid buildings, fences, or other animals that clearly show that it was taken in the zoo. In the first shot, I wanted to show its powerful legs and talons. The second shot is to emphasize its facial features.

2. I was lucky to shoot this Abdim's Stork (Ciconia abdimii) just as it was taking off in the aviary. You can see two large wires holding up nets at the top, although a wide aperture has done a great job of blurring out the background.

3. Normally docile, these Demoiselle cranes (Anthropoides virgo) have moments when they let themselves known to the rest of the world. Here I caught it as it was in the middle of its trumpeting call. They embody both beauty and grace.

4. Growing up in Rwanda, nothing excited us kids as to see crested cranes flying. They were rare and we believed killing one was equal to killing a person. I recall seeing a pair land in the field next to my first grade classroom in 1989 or 1990 and those two were the only ones I've ever seen not in captivity. My admiration of these birds led me to write a radio play titled "The Dance of the Golden Cranes" which was a finalist in a BBC radio play writing contest in 2010. The Maryland Zoo in Baltimore only has West African Crested Cranes (Balearica pavonina pavonina) on exhibit.

5. This Harris Hawk (Parabuteo unicinctus) is one of the zoo's Animal Ambassadors and is not on exhibit. It was attached to the handler's arm as it was trying to fly off so I had to keep her out of the frame and get that 'ready-to-sail' look. Once again a wide aperture, I mostly use f/5.6, helps eliminate background clutter and isolate the subject.

6. I caught this female Abyssinian Ground Hornbill (Bucorvus abyssinicus) in what looks like it could be its natural environment.

7. There's nothing special about this Northern Pintail (Anas acuta) other than it feels the frame, without cropping, and is sharp against a blurred water background in which it's swimming. It might even pass as having been taken in the wild.
Northern pintail (Anas acuta): Male

8. I loved these Fulvous Whistling Ducks (Dendrocygna bicolor) for more than their looks. They seem to have great personalities and are nearly always lively. I took these as they perched on the railing of the aviary walkway. If I had a faster lens I would have attempted to capture them in flight, but my lens Auto-focuses like molasses so I missed those...the portraits more than made up for it, though. The fence and people in the background were blurred and the dark blots complement the duck's dark feathers.

9. The Blue-Bellied Roller (Coracias cyanogaster) is probably one of the most beautiful birds I've ever seen. The blurred dry reeds in the background match the bird's light brown feathers and counteract its darker features.

10. The Common Raven (Corvus corax) exhibit at the Maryland Zoo in Baltimore is one of the hardest to shoot. The ravens don't stay still for more than a second or so, and they're either too close to the foreground or the background fences. They're really beautiful birds and the purple on their feathers makes them even more so. The Baltimore Ravens football team takes its name and colors (black and purple) from these birds. The team's official mascots, Rise and Conquer, reside at the zoo.

11. Regarded by many as the most beautiful of all ducks, if not birds, is the male North American Wood Duck (Aix sponsa). It's not hard to see why with all its beautiful coloring. The hay in the background helps give the impression that it was taken in the wild. One reason I like to shoot ducks in the water is that it helps hide the ring tags on their legs. If the birds are out of the water, I try to find a way not to show the tags.
North American Wood Duck (Aix sponsa): Male


Thursday, March 8, 2012

Good-Bye, Sophie

I believe all of life is connected and communicates through energy, both good and bad. Whenever I visit zoos to take pictures, I always ask the animals to give me good shots and make sure to thank them afterwards. I believe animals know and understand our intentions, and this transcends whichever language we might use to communicate with them. My mom is also like me in this manner as she tenderly addresses animals in Russian. I jokingly tell her these animals don't speak Russian, but I know they understand in their own way. Sophie, the Maryland Zoo in Baltimore's snowy owl was one of the animals I made sure to talk to on my visits.

I actually never got to take many pictures of her, as I was still studying the best way to shoot her exhibit, but I always stopped by to say hi and ask if she could give me good shot opportunities. She flew once but I was too slow to take the picture. She gave me other opportunities for good images but I always held out hope that she would fly for me again, but today the zoo announced she had passed away over the weekend. Complications from medical care.

Good-bye, Sophie, we'll get those pictures in the life after. Til then!!!

Tuesday, February 28, 2012

Zoo Photography: Flamingos

Few birds are as attractive to zoo-goers as flamingos. They're large, pretty, weird, and just so alluring. They're also fun to photograph.
While the Maryland Zoo in Baltimore, my local zoo, has them, they're not available for visitor viewing. To see them I have to drive to the National Zoo in Washington, DC, which is about an hour's drive from where I live. Due to this, I haven't been able to go as many times as I would like to try different shooting techniques on them.

There are several problems that I ran into while shooting the National Zoo's flamingos. The first was that the bright, undiffused sunlight reflects harshly off the bird's feathers. It's like shooting a bright flower in bright sunlight, you lose detail in the subject.
The second issue was the dark shadow background in the flamingos' exhibit. This might actually have helped mask the unnatural environment, but it created a very contrasting image, not to mention playing tricks on the camera's sensor.
I will have to go photography them on a cloudy day to see if it makes any difference. Normally, I prefer to shoot bright animals, especially birds, on cloudy days because you are able to get details in the feathers. I would also like to see if shooting at f/8 instead of f/5.6 would make a difference in the final images.
It will take some time to figure all this out for myself as I only go to the National Zoo about once a month, compared to 3-4 trips a month I make to the Maryland Zoo, so I would love to hear from those who have mastered photographing these beautiful birds, and those who have run into other issues photographing them.

Sunday, February 19, 2012

Zoo Photography: Animal-Human Interactions

Most, if not all, zoos have some type of human-animal interactions that are good photo opportunities. These include animal rides, petting, feeding, and others. The Maryland Zoo in Baltimore has a giraffe-feeding station that presents great shots if timed right.

On one of my recent visits to the zoo, I reached the feeding station just as a young child was asking her parents if she could feed the giraffe. Being that I had a 300mm lens on the camera, I was still trying to position myself right when she fed the giraffe. The images I got either showed hers or the giraffe's face, but not both. I wanted to show the relationship between the two and I felt I didn't really show it with any of the pics. 

Luckily, she asked if she could do it again, and this allowed me to capture the image I wanted. 


While this showed both the giraffe and the child, an image from her first feeding attempt is actually my favorite. 


Humans shouldn't always be excluded from your zoo photographs. They can add a little flavor to your shots. Kids are great because their faces really show genuine wonder and bliss at witnessing and/or interacting with animals. Shoot kids petting sheep, riding ponies or camels, or just watching animals. 

Wednesday, February 15, 2012

Zoo Photography: Lions

Photographing lions, as with any other animal, will depend on what kind of exhibit the zoo has them in. At the Maryland Zoo in Baltimore, they're outside but you can see them through glass. There are no fences, just a solid wall with three large glass openings for viewing. In Syracuse, the exhibit was actually indoors while the lions playing area is outside. This required different settings and lenses as the lions were somewhat closer.

In Washington, DC, at the National Zoo, the lions are fully outside but you are a lot further from them so you will need a 300mm with a teleconverter or a 400mm. When I say far away I mean FAR AWAY...my 300mm couldn't fill up the frame without showing a lot of the background, which I avoid doing so as to project them in the wild.

The shots I will show here were all taken at the Maryland Zoo in Baltimore which has a couple of lions, a male and a female. The lions are not particularly active at any specific time that I know of, so you will more than likely find them lying down or in one spot they seem to like. The good thing is the spot is great for shooting their portrait.

As usual for outdoor exhibits, I used a Canon 300mm F4L IS on a Canon 1D Mark II and edited in Lightroom 3. For some of the shots, I had to remove a blue tint because of the glass reflecting the sky. Took all precautions I take while shooting through glass, but sometimes things just happen how they want, which is why we have computers and software to fix that.


Shot of lion and lioness resting while looking in opposite directions.


The lion posing for me. His intense gaze every time I go by his exhibit makes me wonder whether he has never seen a handsome fellow before, or whether I'm the biggest antelope he's ever seen. Hope it's the first.


Here he looks like he's about to attack but he's really just getting ready to lay down.  The intensity of his gaze is scary, though...I'm very glad for the invention of glass.


Lying down with paws crossed.

He's a good model whenever I pass by his exhibit. The lioness is normally in a spot with a fence showing prominently in the background, so her pictures will definitely come out as having been taken in a zoo.

If your zoo has a way to project these majestic kings of the veld as being in their natural environment, try to bring that in the images. If not, try to take portraits seemingly depicting them in the wild.

Good luck and happy shooting!!!

Monday, February 6, 2012

Zoo Photography: Prairie Dogs

Black-Tailed Prairie Dog
Canon 1D Mark II with EF 300mm f4L @ 1/3200s F/5.6 ISO 400.

I love these black-tailed prairie dogs at the Maryland Zoo in Baltimore. Their exhibit near the front entrance is normally my first and last stops whenever I visit the zoo. Whenever I first approach them, they become alert and some even rush to their burrows. The key to shooting them is using a long focal length lens, getting as low as you can to shoot them at their eye level, and waiting until they get acclimated to your presence. I've also found that sunny days are best to show the shine in their fur as cloudy days bring out more of the dark areas of their fur.

I like the closed eyes on the first fellow as it seems like he/she was trying to look cute for the picture. The second one takes a break from munching on his carrot to observe me and my intentions. After a few seconds, he happily resumed his snack.

I didn't do much editing on these images. I shot in RAW (as I always do) and edited in Lightroom 3. I use a preset I call 'QuickEazy' that I use on the vast majority of my images. Individual settings in LR3 will depend on your camera and the image out of the camera. Adjust and see what comes out to your liking. With the Canon 300mm F/4L lens, an excellent zoo photography lens, I almost always shoot at f/5.6 to give me some speed and a good bokeh. ISO 400 helps with keeping the shutter speed up, too. In shaded areas I'll pump it up to ISO 800. I have found myself using up to ISO 3200 but that was on indoor exhibits such as snakes and frogs. To help with the speed and because the animals are usually closer, I use the 100mm F/2.8L Macro lens instead. I'll talk more about low-light zoo photography in a future post.

Black-Tailed Prairie Dog
Canon 1D Mark II with EF 300mm f4L @ 1/3200s F/5.6 ISO 400.