Showing posts with label wildlife photography. Show all posts
Showing posts with label wildlife photography. Show all posts

Tuesday, November 6, 2012

Zoo Photography: Thunder on the Prairie

Sometimes being at the right place at the right times can yield a fruitful result. Hope you enjoy this little tale of tails.

Black-Tailed Prairie Dog (Cynomys ludovicianus)
This is what normally happens in prairie dog colonies. Love, kisses, and unity usually are the order of the day.

But then, one day, along came Sally- for that is what we shall call her-to the burrow of one Polly.  "Hey, the whole prairie knows all your dirty little secrets," said Sally.



"Stop spreading lies about me or I'll slap you," retorted Polly.

Thinking she had the advantage of surprise and first strike, Sally locked her jaws on Polly's hand. "Oh, yeah, you and what hand?" 

Somehow Polly freed her hand and unleashed a slap that was to become stuff of legends on the prairie. "Take that you spiteful, lying prairie dog b@#&*" 

Fearful of Polly and unwilling to partake of the slap sandwich Sally had just been handed, other prairie dogs could only comment about it in hushed whispers. "Hey, did I just really just see that?"

Meanwhile not too far away. "Mom, you are the best mom ever...I love you, I love you, I love you."

They hear a slap. "WOW!"

A few feet away, unhindered by the transpired events, some prairie dogs  continue to indulge in the peace, love, and unity that is normally the order of the day on the prairie. 
THE END

Hey, they do have tails and it was a tale, so lighten up. 

Tuesday, September 11, 2012

Zoo Photography: Patience

It's been wisely said for ages that patience is a virtue, and there is perhaps no profession in which this is most evident than photography. Photographers know that you have to anticipate and wait. wait. wait. and more wait. Zoo photography requires the same thing. You have to know your subject, anticipate what they will do, and put yourself in the best position to get the shot you want.

Yesterday I visited the zoo for the first time in a few weeks and I only had about 90 minutes before closing time. I couldn't afford to see the whole zoo so I made a beeline for the animals I like to shoot the most around this time of the year.

The prairie dogs were my first stop. Prairie dogs, around this time, have shiny brown coats that look best under a cloudless sun. When I reached them, the sun was bobbing back and forth behind some patchy clouds. I waited until I got the light I wanted, took a few shots, and was fairly happy with the few shots I got. These guys are hands-down my favorite subjects year-round at the Maryland Zoo in Baltimore.


Next, I visited the African Aviary where I was rewarded with one of the subjects that have not given me many good shot opportunities: The Little Blue Heron. This little beautiful bird tends to stay near the fence where it's impossible to get a good shot that doesn't look like it was taken at the zoo. This time, however, it was in the middle of the exhibit and allowed me to get pretty good shots.


I was also lucky that it was a relatively quiet day at the zoo and the animals seemed more relaxed.

After that I hung around the gazelles before heading to the lions. I hung around hoping for a good shot, knowing that on cool days, they are more likely to move around in a particular location. I hunkered down and waited for my shot. I wasn't disappointed.


Patience doesn't mean you will get the shot that day, it just means that you might get your shot a few months down the road. Be patient, anticipate, and always keep hope that the animals will be kind enough to give you a good shot.

***Please note that I don't agitate animals. Hassan, the lion, wasn't snarling at me. This is the back end of a yawn.

Tuesday, April 10, 2012

Zoo Photography: Midday Sun and Shadows

Most photographers will tell you it's not wise to shoot under the midday sun, some have even claimed you can't get a good picture due to the harshness of the light and the hard contrast, but I think you can get amazing images if you know what you are doing.
During my photography career, I've shot a lot of outside events and this has bred in me the habit of analyzing shadows before taking the picture. When I first started, I saw a lot of what I thought were good images ruined by ugly shadows taking attention away from the subjects. As a result, I came up with a few strategies to combat this and take those great images. I'll be focusing on zoo photography although you can use these for any outside shoot.
Positioning is important because it will affect the background, which can be brighter or darker than the subject, and how the subject is lit. If the subject is between you and the light, you might need to increase the exposure compensation, or lower it if you're between the subject and the light. What kind of image you're trying to shoot will affect your positioning. If a dark subject is between you and the light and the background is the sky, you might want to go for an overblown white/gray background.
This perched Abdim's Stork stands out against a near-blank background of an overblown sky. It's easier for this sort of portraiture effect if the subject is between you and the light (sun). Another example:
Blue-Bellied Roller (Coracias cyanogaster): Both sexes are similar in looks.

The second thing to take into consideration is the direction of light, which will affect your positioning based on the kind of image you want. Many times I've seen animals lighted on one side while the other is shadowed. In this case, figure out which side you want to shoot but make sure the other side doesn't show much to cause too much distraction.
Black-Tailed Prairie Dog (Cynomys ludovicianus)
Here I chose to shoot this black-tailed prairie dog from the lighted side, and its shadowed side doesn't distract even though its partially visible.
In this next one, I shot the shadowed side.

You don't have to stop shooting just because the sun is harsh outside, just make sure shadows aren't messing up your image. The sun can add a certain life and vibrancy to your images, especially in the spring and summer months.

Sunday, April 1, 2012

Zoo Photography: Eastern Screech Owl

All owls are fascinating creatures to me but the eastern screech owl is even more so. For starters, it's really small, which makes me wonder how it survives as a predator. While watching one of them at the zoo today, I got a chance to see these creatures' predatory nature.

As I was talking to the keeper about another one of the animals, a house sparrow flew nearby collecting duck down feathers. All of a sudden she perked up, raised her pointed ear tufts, and her attention intensely focused on the sparrow.

Here it is giving me the mean look moments before the house sparrow made its appearance.

And here it is intently sizing up the sparrow. 
Did you know: Nestling Screech-owls fight fiercely among themselves for food, and sometimes even kill and eat their smallest sibling. (from http://www.allaboutbirds.org/guide/Eastern_Screech-owl/lifehistory)

Thursday, March 29, 2012

Zoo Photography: Elephants

Taking pictures at the elephants exhibit at the local zoo has been quite a challenge for me lately. Actually the only zoo I've visited with a good view of the elephants was Syracuse's Rosamond-Gifford zoo. For me, I only visit the elephants to study the environment and just watch the beautiful animals.
I've seen the elephants reaching over their fence and grabbing shrubs and branches outside the exhibit. This time the goods were just out of reach.

Thursday, March 22, 2012

Zoo Photography: Bird Portraits

Since the Maryland Zoo in Baltimore let out its warm-climate birds, it's been even better shooting at the zoo. There's a reason why bird photography is one of the most beloved form of photography, and it's easy to see when you observe the zoo's collection. Unfortunately while shooting at the zoo you're unlikely to get a shot that looks like it was taken in the bird's natural environment. Many zoos have done a great job creating aviaries that replicate natural habitats and allow the birds to fly, something many birds in exhibits can't do.
The Maryland Zoo in Baltimore has two aviaries which give photographers a chance to get shots that look like they might have been taken in the wild. These environments, however, aren't always enough to get the shot since you still have man-made objects and people around.
The best solution, I've come to find out, is to isolate the animal as much as possible, sometimes even shooting portrait.

1. This lappet-faced vulture (Torgos tracheliotos) is a beautiful sight to behold. It's a shame to shoot it on land while it's not tearing through some carcass, flying through the air, or perched on some long-gnarled branch under the African sun. When shooting it, I made sure to avoid buildings, fences, or other animals that clearly show that it was taken in the zoo. In the first shot, I wanted to show its powerful legs and talons. The second shot is to emphasize its facial features.

2. I was lucky to shoot this Abdim's Stork (Ciconia abdimii) just as it was taking off in the aviary. You can see two large wires holding up nets at the top, although a wide aperture has done a great job of blurring out the background.

3. Normally docile, these Demoiselle cranes (Anthropoides virgo) have moments when they let themselves known to the rest of the world. Here I caught it as it was in the middle of its trumpeting call. They embody both beauty and grace.

4. Growing up in Rwanda, nothing excited us kids as to see crested cranes flying. They were rare and we believed killing one was equal to killing a person. I recall seeing a pair land in the field next to my first grade classroom in 1989 or 1990 and those two were the only ones I've ever seen not in captivity. My admiration of these birds led me to write a radio play titled "The Dance of the Golden Cranes" which was a finalist in a BBC radio play writing contest in 2010. The Maryland Zoo in Baltimore only has West African Crested Cranes (Balearica pavonina pavonina) on exhibit.

5. This Harris Hawk (Parabuteo unicinctus) is one of the zoo's Animal Ambassadors and is not on exhibit. It was attached to the handler's arm as it was trying to fly off so I had to keep her out of the frame and get that 'ready-to-sail' look. Once again a wide aperture, I mostly use f/5.6, helps eliminate background clutter and isolate the subject.

6. I caught this female Abyssinian Ground Hornbill (Bucorvus abyssinicus) in what looks like it could be its natural environment.

7. There's nothing special about this Northern Pintail (Anas acuta) other than it feels the frame, without cropping, and is sharp against a blurred water background in which it's swimming. It might even pass as having been taken in the wild.
Northern pintail (Anas acuta): Male

8. I loved these Fulvous Whistling Ducks (Dendrocygna bicolor) for more than their looks. They seem to have great personalities and are nearly always lively. I took these as they perched on the railing of the aviary walkway. If I had a faster lens I would have attempted to capture them in flight, but my lens Auto-focuses like molasses so I missed those...the portraits more than made up for it, though. The fence and people in the background were blurred and the dark blots complement the duck's dark feathers.

9. The Blue-Bellied Roller (Coracias cyanogaster) is probably one of the most beautiful birds I've ever seen. The blurred dry reeds in the background match the bird's light brown feathers and counteract its darker features.

10. The Common Raven (Corvus corax) exhibit at the Maryland Zoo in Baltimore is one of the hardest to shoot. The ravens don't stay still for more than a second or so, and they're either too close to the foreground or the background fences. They're really beautiful birds and the purple on their feathers makes them even more so. The Baltimore Ravens football team takes its name and colors (black and purple) from these birds. The team's official mascots, Rise and Conquer, reside at the zoo.

11. Regarded by many as the most beautiful of all ducks, if not birds, is the male North American Wood Duck (Aix sponsa). It's not hard to see why with all its beautiful coloring. The hay in the background helps give the impression that it was taken in the wild. One reason I like to shoot ducks in the water is that it helps hide the ring tags on their legs. If the birds are out of the water, I try to find a way not to show the tags.
North American Wood Duck (Aix sponsa): Male


Thursday, March 8, 2012

Good-Bye, Sophie

I believe all of life is connected and communicates through energy, both good and bad. Whenever I visit zoos to take pictures, I always ask the animals to give me good shots and make sure to thank them afterwards. I believe animals know and understand our intentions, and this transcends whichever language we might use to communicate with them. My mom is also like me in this manner as she tenderly addresses animals in Russian. I jokingly tell her these animals don't speak Russian, but I know they understand in their own way. Sophie, the Maryland Zoo in Baltimore's snowy owl was one of the animals I made sure to talk to on my visits.

I actually never got to take many pictures of her, as I was still studying the best way to shoot her exhibit, but I always stopped by to say hi and ask if she could give me good shot opportunities. She flew once but I was too slow to take the picture. She gave me other opportunities for good images but I always held out hope that she would fly for me again, but today the zoo announced she had passed away over the weekend. Complications from medical care.

Good-bye, Sophie, we'll get those pictures in the life after. Til then!!!

Monday, March 5, 2012

Zoo Photography: Patience and Resilience

Every nature photographer will tell you that patience should be your most cherished and practiced virtue, and that applies to those of us who find nature within the confinements of zoos. The reason for this, I believe, is that animals can be unpredictable and could care little about your interest to photograph them.

Patience, combined with resilience, will afford you the chance to observe and learn more about the animals you want to photograph and this can bring about an improvement in the quality of your shots.

Over the past couple of months, I've been visiting local zoos about once a week. This has allowed me to know more about the animals and their behavior. However, I'd been unable to shoot a few of the animals. Since I try to avoid shots that are too zoo-ey, there are several animals that I hadn't been able to shoot...actually, there are still some that I'm trying to figure out how to shoot, but these I've shot now.
The male sitatunga normally hangs out in a corner of the exhibit that's far from the observation walkway and is right by a fence and shelters. On my last visit, he ventured out in the open and I got a few shots.
The ravens have also been hard for me to shoot, but this time one of them flew down and posed for me.
I also hadn't been able to get interesting shots of the ostriches, but one of them was scratching its neck on the ground as it fed. Either that or it was turning over the ground to expose any food that might be hidden by the dirt. Looks like he's enjoying a good nap, though.
The female polar bear was more active and even jumped in the water.
I also got a few shots of the sifakas, the lemurs, but it's not because they normally don't offer good shots. Normally, there are a lot of kids around the exhibit and I don't like to disturb them, so I just go to shoot other animals since the shooting conditions are normally less than ideal anyways. The reflections on the glass are some of the hardest to eliminate. On cold days, the exhibit's warm, humid air will also create condensation on camera gear. Overall a good place to avoid as a photographer in the winter. This time, however, I managed to get off a few shots.

The more time you spend around these animals, the more you'll get to appreciate them, even when they don't present you with good shot opportunities.

Tuesday, February 28, 2012

Zoo Photography: Flamingos

Few birds are as attractive to zoo-goers as flamingos. They're large, pretty, weird, and just so alluring. They're also fun to photograph.
While the Maryland Zoo in Baltimore, my local zoo, has them, they're not available for visitor viewing. To see them I have to drive to the National Zoo in Washington, DC, which is about an hour's drive from where I live. Due to this, I haven't been able to go as many times as I would like to try different shooting techniques on them.

There are several problems that I ran into while shooting the National Zoo's flamingos. The first was that the bright, undiffused sunlight reflects harshly off the bird's feathers. It's like shooting a bright flower in bright sunlight, you lose detail in the subject.
The second issue was the dark shadow background in the flamingos' exhibit. This might actually have helped mask the unnatural environment, but it created a very contrasting image, not to mention playing tricks on the camera's sensor.
I will have to go photography them on a cloudy day to see if it makes any difference. Normally, I prefer to shoot bright animals, especially birds, on cloudy days because you are able to get details in the feathers. I would also like to see if shooting at f/8 instead of f/5.6 would make a difference in the final images.
It will take some time to figure all this out for myself as I only go to the National Zoo about once a month, compared to 3-4 trips a month I make to the Maryland Zoo, so I would love to hear from those who have mastered photographing these beautiful birds, and those who have run into other issues photographing them.

Monday, February 20, 2012

Shots From Today's Zoo Visit

Having been unable to visit the zoo over the weekend, a sunny Monday was all the motivation I needed to head over there and see the animals. I have always had a love for animals since my young days, and visiting them at the zoo is an opportunity to increase my knowledge about them and meditate a little. 

Since it was Presidents Day and many people were off, the place was teeming with families, which meant having to steer clear of strollers and little running forms more suited for the demolition derby than the zoo's pathways. I still managed to see most of the animals, including some of my favorite ones. Here are the pics below. 


This time I photographed giraffe-feeding from downhill, having a different aspect from before.


To me, the sitatunga is a fascinating animal. I was completely unaware of them until recently even though I was a wildlife buff and lived in many countries where they're found as a kid. For some reason, only the females venture close to the pathway while the male remains near a chain-link fence that doesn't allow for a good photo.
When chased by predators, these swamp antelopes can hide submerged with only their noses showing.


This is Cactus, a Harris Hawk, one of the zoo's animal ambassadors. First time encountering him. Every time I go to the zoo on a nice day I meet at least one. They're easy to photography because they are not in enclosures and are used to being close to people.


The polar bear was out today but he was foaming at the mouth. Don't know if it's because he was angry at the crowds, because of his dental problems, or for another reason. Either way, I'm sure he's not too happy about missing snow this winter.


There are three arctic foxes at the zoo and she is by far my favorite one. She's little and is bullied by the male in the same enclosure, but she's just a snuggie furry ball. When I got there she moved from a log where she was sleeping and went in an open space that was much better to photography. Though I've been to the zoo multiple times before and always pass by this exhibit, this is the first time I've shot her without obstructions.


This is the friendliest animal- to me- at the zoo. A cotswold sheep, it will come to be petted soon as you approach the sheep pen in the Farmyard area. I have had all three take turns at being petted and push each other out of the way every few seconds or so. With farmyard animals, you don't have to isolate them because no one will really believe they're wild. You can show fences and barns to put them in a familiar environment.
You have to be careful petting animals as they can bite or hurt you. And just because they're farm animals doesn't mean you can feed them. The zoo has strict, measured diets for them.


One of the two Miniature Mediterranean Donkeys at the zoo. These guys are also a lot of fun to observe and shoot. They'll play with each other and appreciate a rub as much as the sheep. Always remember to wash your hands with soap after petting animals. 

Sunday, February 19, 2012

Zoo Photography: Animal-Human Interactions

Most, if not all, zoos have some type of human-animal interactions that are good photo opportunities. These include animal rides, petting, feeding, and others. The Maryland Zoo in Baltimore has a giraffe-feeding station that presents great shots if timed right.

On one of my recent visits to the zoo, I reached the feeding station just as a young child was asking her parents if she could feed the giraffe. Being that I had a 300mm lens on the camera, I was still trying to position myself right when she fed the giraffe. The images I got either showed hers or the giraffe's face, but not both. I wanted to show the relationship between the two and I felt I didn't really show it with any of the pics. 

Luckily, she asked if she could do it again, and this allowed me to capture the image I wanted. 


While this showed both the giraffe and the child, an image from her first feeding attempt is actually my favorite. 


Humans shouldn't always be excluded from your zoo photographs. They can add a little flavor to your shots. Kids are great because their faces really show genuine wonder and bliss at witnessing and/or interacting with animals. Shoot kids petting sheep, riding ponies or camels, or just watching animals.